How to be a Historical Landscape Detective

Have you ever stared out of a car or train window at a lumpy field and wondered what made it lumpy? Or walked along a footpath scored so deeply into the landscape that you felt you were almost in a tunnel? Or sat in a historical pub wondering at its age? Wherever you go in Britain there’s history woven into the landscape around you – in the shape of a field, the wall of a cottage, a standing stone or churchyard, even in the grass under your feet. With just a few pointers you can become a landscape detective, equipped to puzzle out the historical mysteries around you. You’ll know what to look for, and what it might be telling you. In some parts of the country it means you can add some six thousand or more years of history to the landscape you’re looking at.

You can even do your detective work simply looking at a map in the comfort of your own armchair! But whether in the field or online, be warned, Landscape Spotting is an addictive pastime – once you start, you’ll find yourself noticing features everywhere!

Here are a few features to look out for:

Holloways
Ever walked, cycled or driven down a lane that feels like it’s sunk down into the ground? Often coming into or out of villages, with steep, banked sides and towering hedgerows, these tracks are known as Holloways.

Holloways are at least 300 years old, but many in the South West, southern Wales and Welsh borders, East Anglia and the Weald probably have their origins in prehistory. You really are walking in the footsteps of the ancestors.

The deepest Holloways in Britain are as much as 6m below the ground surface, where feet, hooves and wheels have worn down the land surface and rainwater has eroded it over centuries to create a sunken lane, or ‘hollow way’.

Ancient route along a lowland valley, Herefordshire. pic © Mary Ann Ochota

A deep Holloway may suggest that the place you’re heading into or out of is equally old. And if it seems like the Holloway leads to nowhere special, look again. Tracks are ‘articulating features’ – they only come into existence in order to link one place with another, which means that there must have been a place at both ends at some point (maybe now just the remains of a deserted village or hamlet, or perhaps something smaller, like a field barn, sheepfold, or junction with another route).

A few Holloways were intentionally created as land boundaries. Landowners dug a wide ditch, and threw the soil up into banks on either side. The base of the ditch was then used as a sunken track and the parallel banks formed the Holloway sides. Check your map – the Holloway may still mark a modern parish boundary.

In open country, you may still be able to trace the line of an old Holloway – look for a wide grassy furrow with shorter or paler vegetation, where the grass struggles to grow in the harder, compacted soil that was once the track.


Ridge and Furrow

If you see a grass field or hillside area in central England that has long parallel rows of wide humps in the surface, you may be looking at the remnants of a 1,000 year old pattern called Ridge and Furrow, created by medieval ploughing.

From around 800AD to the mid 1500s, most land used for farming crops wasn’t enclosed by hedges or walls. Instead, farmers were allocated strips of the communal Great Fields that surrounded their village. Each strip was ploughed individually in a clockwise pattern, and the plough threw the soil inwards, creating a well-drained flat area ready for planting – the Ridge. The soil level between each strip got lower and lower – the Furrow.

Ridge and Furrow only survives in fields that are now used for pasture, or rough land that is no longer farmed at all. This itself is a clue to the history of the time – in the 12th and 13th centuries there was enormous population pressure on agricultural land. The best, most fertile land was already under the plough, so ‘land-hungry’ farmers were forced on to steeper, rougher hillside areas and places with poor soil. Then the Black Death of 1348-50 killed half the British population. With the population decimated, there was more fertile land to go around the survivors and poorer land was abandoned, leaving the plough marks frozen in time.

If you spot flights of terraces that run horizontally across steeper hillsides, rather than up and down, these are Strip Lynchets. They were hand dug around 600 years ago to make it easier to plough, plant and harvest steep land – also the result of hungry medieval people looking for space to farm.

Narrow horizontal lines across a grassy hillside are more likely to be terracettes – natural features where soil particles slowly slip downhill underneath the grass and over time form ripples in the hillside. Some of these mini-terraces end up exploited by wild animals, livestock and walkers looking for an easy line across the landscape – and so the terracettes become more pronounced.

Tomb of the Eagles passage grave, South Ronaldsay, Orkney. pic © Mary Ann Ochota

 

Stone Age tombs
The oldest visible monuments in the British landscape are Long Barrows, burial sites from the Neolithic – the Late Stone Age – around 4200BC. If you spot one of these long, lozenge-shaped earth mounds, you’ve just added more than six thousand years of human history to the landscape you’re looking at! Ones that are still visible to the naked eye are marked on OS maps.

Chambered Tombs also date from the Late Stone Age – these have internal stone chambers where bodies – or parts of dismembered bodies – were placed by their community. Chambered tombs that have been excavated are sometimes open and you can go inside to explore. Great examples include West Kennet in Wiltshire, Bryn Celli Ddu on Anglesey, and the Tomb of the Eagles in Orkney (pictured)

 

Ancient Burial mounds
Round Barrows, sometimes called Tumuli, are the most common prehistoric monuments in the country. These circular earthen mounds are often seen in groups, and you can sometimes spot them on the crests of hills, lurking under clumps of trees, or as uncultivated lumps in farmers’ fields – because of the precious archaeology below, the land is legally protected and so can’t be ploughed. These mounds date to the Bronze Age – mostly between 2400BC and 1200BC.

Although there are no written records from Britain at this time, the archaeology suggests there was a change in religious and social practices – instead of communal tombs, people start to be buried as individuals, either cremated first or placed in a crouched position in a grave with food, jewellery and other offerings like cups of mead. Early findings from ancient DNA studies are also pointing to a change in the genetic profile too – there were certainly new people on these shores, although how much of the native population may have been displaced isn’t yet clear. Some, but not all, round barrows have been excavated by archaeologists: Others remain undisturbed. Archaeological excavation is inherently destructive (once you’ve dug it up you can’t put it back) so barrows are now only excavated if there’s a genuine research question to answer, or if they’re at risk in some way. So next time you see a Round Barrow, take a moment to imagine what, and who, may be inside it.

Moraines at Small Water, near Mardale Head in the Lake District. Don’t be fooled – these aren’t burial mounds, these are geological features known as moraines, found in glacial valleys. pic © Mary Ann Ochota

 

Graveyards, gates and trees
Graveyards are usually older than the church buildings they contain. Even though the bodies rot away, centuries of burials progressively raise the earth surface, so as a rule of thumb, the higher a graveyard is compared to the surrounding land, the older it is. It’s estimated that the average English parish churchyard contains at least 10,000 bodies. Urban cemeteries may contain more than 100,000.

Churchyards are usually rectangular, with the church positioned roughly centrally. If a churchyard is circular or oval, it suggests that you’re looking at a very early church site (from 600AD or even earlier), or a place where the church was built on an earlier pagan site. Also look for lych gates: open-sided gatehouses at the entrance of a churchyard, named after the old English for ‘corpse’ (lich). This was where the priest would meet the body at the churchyard entrance, say initial prayers, then lead the way into the church.

Many churchyards in Britain contain Yew trees (Taxus baccata), the longest-living organisms in the whole of Europe. Native Britons probably considered the yew to be a sacred tree, so when early Christians co-opted pagan sites, yew trees came with the land. Yew trees are only officially designated as ‘ancient’ when they’re around 800 years old with a girth greater than 7m (23ft), and it’s thought the oldest churchyard yews are an incredible four to five thousand years old – visit them at St Coeddi’s Church, Fortingall in Perthshire (NN 742 471), St Dygain’s Church in Llangernyw, Conwy (SH 874 674) and St Cynog’s Church, Defynnog, Powys (SN 925 279).

Yew trees ‘bleed’ red sap when cut, and are evergreen, possibly part of the reason they have long had spiritual status. Pic © Mary Ann Ochota

Dry stone wall built on and around a large earthfast boulder, Glenridding, Cumbria. Pic © Mary Ann Ochota

 

Dry Stone Walls
Some of the most intriguing dry stone walls you’ll see are abandoned Intake walls (or newtake walls). They can climb vertiginous slopes of rough moorland, then end abruptly, or loop back down. Many of these were a result of Enclosure Acts that were passed by Parliament between 1750 and 1850, when commons, moorlands, and open fields were allocated to private landowners.

These new landowners were keen to build walls and then lease the land to tenant farmers – even if the land wasn’t up to it. You’ll see abandoned plots of land in many upland areas including the Grampians and the Lake District. The hungry, hardworking tenant farmers are memorialised in evocative place-names: Mount Famine in the Peak District (SK 055 848), and Starvation Hill, Never Gains, Famish Acre and Mount Misery (SX 636 705) on Dartmoor.


Mary-Ann Ochota is a broadcaster and anthropologist who gained her MA in Archaeology and Anthropology from Cambridge University in 2002. She’s a familiar face on archaeology programmes including the cult show Time Team, the History Channel’s Ancient Impossible, ITV’s Britain’s Secret Treasures – for which she also wrote the tie-in book in association with the British Museum, as well as BBC specials on Silbury Hill, Stonehenge and most recently the series Britain Afloat. She has also presented documentaries for Animal Planet, Nat Geo, Channel 4 and BBC4 and writes regularly for newspapers and magazines on the outdoors and adventure, including the Daily Telegraph, Guardian, Countryfile Magazine, Geographical and Summit. She is a Fellow of the Royal Geographical Society, a Hillwalking Ambassador for the British Mountaineering Council and an Ordnance Survey GetOutside Champion. 

Mary-Ann will be talking about Hidden Histories at Chalke Valley History Festival at 3.30pm on Tuesday 25th June 2019. Get your tickets here.

Follow @MaryAnnOchota on Twitter and Instagram

www.maryannochota.com

🎧 LADY ALMINA AND THE REAL DOWNTON ABBEY

Audio from Chalke Valley History Festival 2018.
In 1894, Lady Almina, the illegitimate daughter of banking tycoon Alfred de Rothschild, married into the Carnarvon family bringing an enormous fortune with her. Miserable at first, she gradually won over society and her husband with her wit, brave spirit and fabulous dresses. Lady Carnarvon, the 8th Countess, charts Almina’s life, providing a fascinating insight into what life was really like at Highclere Castle, both upstairs and downstairs.

🎧 The Lost Portrait Of Charles Dickens

The Lost Portrait is a story that traces the origins of a beguiling portrait of Charles Dickens shown aged 31 as an emerging literary star in the midst of writing his masterwork, A Christmas Carol. The portrait has been lost for over 150 years and was last seen in public at the Royal Academy in London in 1844. The work, which was painted by the professional female artist and social campaigner Margaret Gillies, miraculously reappeared earlier this year in South Africa. It’s been on quite a journey and has now returned to us in time for Christmas and remarkably, it is the 175th anniversary year of Dickens’ iconic Christmas ghost story. Tune in to this three-part series to hear Philip Mould, co-star of BBC’s Fake or Fortune, delve into this remarkable story….


Philip Mould will be speaking at Chalke Valley History Festival on Saturday 29th June at 7.30pm. Tickets to FAKE OR FORTUNE? can be purchased here.

🎧 FLYING LEGEND: ALAN COBHAM

Audio from Chalke Valley History Festival 2018.
Alan Cobham was a long distance aviator and an aeronautical innovator who became famous for his exploits in the interwar years. In this talk, Curator at the RAF Museum, Daniel Albon, celebrates his diverse flying career and the contributions he made to the world of aviation.

🎧 MARGARET THATCHER: HER LIFE AND LEGACY

Audio from Chalke Valley History Festival 2017.
As Britain’s first woman Prime Minister, and one of the most controversial figures in twentieth century Britain, few people have been more discussed than Margaret Thatcher. Preeminent academic Sir David Cannadine gives a historian’s perspective on the life, politics and legacy of this formidable leader. He is Dodge Professor of History at Princeton, and General Editor of the Oxford Dictionary of National Biography.

🎧 VULCAN 607

Audio from Chalke Valley History Festival 2018.

Martin Withers was the pilot of the extraordinary Black Buck raid, the longest bombing mission ever undertaken by the RAF. Flying Vulcan 607 and refuelled by a stream of Victors, he and his crew bombed the runway at Port Stanley during the Falklands War. In this discussion with Rowland White, he will talk about the raid: the planning, the execution and the aftermath.

EQUALITY FOR WOMEN: FROM MARY WOLLSTONECRAFT TO THE SUFFRAGETTES AND BEYOND

Audio from Chalke Valley History Festival 2018.
“I do not wish women to have power over men, but over themselves” wrote the philosophical daredevil who changed the course of women’s rights, but paid the ultimate price. Find out how Mary Wollstonecraft’s legacy was annihilated for over a century, rediscovered with the suffrage movement, and still resonates today, with the woman who retraced her most notorious journey: Bee Rowlatt.

🎧 CROMWELL: ENGLAND’S PROTECTOR

Recording from Chalke Valley History Festival 2017.
Although he styled himself ‘His Highness’, adopted the court ritual of his royal predecessors, and lived in the former royal palaces of Whitehall and Hampton Court, Oliver Cromwell was not a king. Yet, as David Horspool eloquently shows, Cromwell, the Puritan son of Cambridgeshire gentry, wielded such influence that it would be a pretence to say that power really lay with the collective.

Why do we still care about Henry VIII?

‘How many more books can there be about Henry VIII?’ lamented a well-known seventeenth century historian.  ‘I mean, whatever next…Henry VIII’s toenail?’

Admittedly, this remark was made as part of a speech to promote his new book about a Stuart monarch, so his flippant remark may have been aimed at trying to persuade people to look beyond the Tudors for once.  But he did have a point.  Henry VIII has been the subject of more books, dramas, films and documentaries than any other monarch in British history.  Yet still we have an insatiable desire to find out more.

As joint Chief Curator of Historic Royal Palaces, I see thousands of visitors flock to Hampton Court every year.  Much as we try to show them the other (larger) side of the palace – Wren’s magnificent Baroque masterpiece commissioned by William III and Mary II in the late seventeenth century – they aren’t interested.  They are here for Henry, and Henry alone.

In part, our fascination with this most famous of kings is understandable.  He married six times, told the Pope where to go, oversaw one of the most seismic religious and political revolutions in our history, and created the foundation of our national identity.  No wonder that we can’t get enough of him.

I have been a Tudor historian for over twenty years, but until recently I have skirted around Henry – mentioning him in the context of his daughter Elizabeth, exploring the life he led behind closed doors, that sort of thing.  But I had never dared to tackle a full biography.  Surely there are too many of those?

But then a thought occurred to me.  Yes, Henry has been written about endlessly, but almost always in the context of his wives.  Surely there is another side to the story?  Exploring the men in Henry VIII’s life reveals a dazzling and eclectic cast of characters: relations, servants, ministers, rivals, confidants and companions.  Some were ‘mad’ (Sir Francis Bryan, the so-called ‘Vicar of Hell’), some ‘bad’ (the arch-schemer, Stephen Gardiner), but none as ‘dangerous to know’ as Henry VIII himself. There are also the men whose stories have, until now, remained in the shadows: Sir William Butts, Henry’s favourite physician, Will Somer, his fool, and Sir Thomas Cawarden, who superintended some of the most spectacular entertainments of the later reign, reminding Henry of his glorious younger days. It is these men who helped to shape the character, opinions and image of their king, and whose influence – sometimes visible, sometimes hidden – lay behind the Tudor throne.

By the end of my research, I felt like I had met Henry for the first time.  I can’t wait to introduce Chalke Valley History Festival goers to him on 26 June!

Tracy Borman’s book, Henry VIII and the Men Who Made Him, was published by Hodder & Stoughton last year.


Tracy Borman

Tracy Borman is joint Chief Curator of Historic Royal Palaces and Chief Executive of the Heritage Education Trust. She studied and taught history at the University of Hull and was awarded a PhD in 1997. Tracy is the author of a number of highly acclaimed books including The Private Lives of the Tudors: Uncovering the Secrets of Britain’s Greatest Dynasty, Thomas Cromwell: The Untold Story of Henry VIII’s Most Faithful Servant, and Witches: A Tale of Sorcery, Scandal and Seduction. Tracy is also a regular broadcaster and public speaker, giving talks on her books across the UK and abroad.

 

Tracy will be speaking at Chalke Valley History Festival about Henry VIII and the Men Who Made Him on Wednesday, 26th June 2019. Tickets are available here.

 

How does Russia Remember The 1917 Revolution?

This article was previously published on 8/8/17 in HuffPost.

Revolution necessitates talk of insurgency and transformation – this is not the most evident narrative with which state power should wish to engage. Yet elsewhere we can see lively discussion of the potentialities of history and possibilities for change that any discussion of 1917 should evoke. Impacts of the dual revolutions can give people much pause for thought – both in Russia and elsewhere.

Armed soldiers carry a banner reading ‘Communism’, Nikolskaya street, Moscow, October 1917

The centenary of the October Revolution is nearly upon us, and with it comes a gamut of press comment, a score of scholarly assessments of varying degrees of originality, and much discussion on the blogosphere of what the events of that year mean for Russian and for world history. Some of these assessments, both from academic and lay audiences, hinge upon re-interpreting the significance of these events from ‘Western’ perspectives. These can include how the Russian Revolutions of 1917 interrupted the contemporary balance of power, what the revolutions meant for other great nations at the time, and what the revolutions can tell us, if anything, about Russia today.

What also needs to be considered are the distinctiveness of Russian responses to the revolutions of 1917. Certainly, this was a year of great significance for the entire world, with strong – indeed, transformative – influence on a variety of nations during the twentieth century. The transnational connections that shaped 1917 at the time as well as the discussions between between scholars and the public in different countries today are important for all sorts of reasons. Looking at the situation solely from a Russian perspective can throw a little light on such conversations. Briefly, I will consider what can be loosely seen as three groups: popular opinion, civil society, and an official interpretation.

Measuring popular attitudes to the revolution is no easy matter, and there is nothing close to unanimity of opinion on the subject. As Tony Barber has described in a recent article for the Financial Times, what data we do have shows that popular attitudes, so far as we can judge, are mixed. This is in contrast to other major events of the twentieth century, such as the Great Patriotic War, which have tended to generate more of a consensus down the years. Citing the Levada-Center, a Russian pollster, Barber pointed to a survey carried out in March this year among 1600 people from 137 localities within Russia. The Russians polled were split on the meta-historical questions posed by 1917, including whether the revolution was a good thing, the legality of the seizure of power, the inevitability of the revolution, and what its root causes were. Indeed, looking through the results in depth, the only trend was the lack of consensus amongst respondents. For example, 48 per cent considered that the October Revolution was inevitable, but 32 per cent saw that it could have been avoided. One could extrapolate on the basis of comparing the March 2017 results with those of past polls that attitudes are becoming more mixed: on the question of whether the October Revolution was historically inevitable, the number of respondents claiming it was ‘difficult to say’ crept up from 15 to 21 per cent from between March 2017 and when the question was posed in April 2006.

Turning to civil society, it is easy to find those for whom the revolution does generate significant interest. One of the most interesting contributions is Project 1917, a daily evolving social network based on primary documents that is designed to acquaint visitors with what happened on a certain day one hundred years ago. Unlike many resources available, Project 1917 does not project forward. The website is designed to provide a real time focus, exploring events as they unfolded at the time from a huge variety of perspectives: everyone from the main revolutionary actors such as Lenin and Trotsky, to liberals such as Petr Struve and Sergei Bulgakov, and foreign observers such as the British Foreign Secretary Arthur Balfour and German writer Thomas Mann. What Project 1917 manages to do successfully is to demonstrate the enormity of the number of people involved in the revolution, and the diversity of views on the panoply of events covered. Project 1917 is scrupulously maintained by a diverse team which includes journalists, historians, animators and illustrators, the great majority of whom are working within Russia. The website is generating a huge number of hits, millions of which are coming from within the Russian Federation. If there is a measure that 1917 continues to attract domestic attention, the care with which specialist resources are being constructed and their ability to engage the public are perhaps the best evidence of it.

Finally, what is the official stance towards 1917? Major media outlets are saying relatively little about 1917. Russia’s rulers have not traditionally been slow to grasp that major commemorations may have political uses, which makes the lack of activity marking the centenary of an event that changed the course of world history all the more conspicuous. In a break from his typical approach to pronouncement on historical matters, President Vladimir Putin has left such discussion to others. Looking to history the reasons for this are obvious. Revolutions aren’t just singular events: they pose a thorny and intractable problem about the stability of social and political orders. A mass revolution where power to the people was truly in evidence – if only for a short time – is a difficult topic. History is certainly a subject of serious interest to the current regime, but there is not one approach to interpreting the past that is currently predominating. Instead, what we have is something new that picks and chooses bits of both the imperial and Soviet pasts as desired, in the service of an ideology furthering the ends of resurgent Russian empire. It is in this context that both the official ideology of Russian conservatism and approaches to 1917 from on high need to be seen.

Revolution necessitates talk of insurgency and transformation – this is not the most evident narrative with which state power should wish to engage. Yet elsewhere we can see lively discussion of the potentialities of history and possibilities for change that any discussion of 1917 should evoke. Not only in this year, but in those to come the impacts of the dual revolutions can give people much pause for thought – both in Russia and elsewhere.


Dr George Gilbert is a Lecturer in Modern History at the University of Southampton and will be speaking at Chalke Valley History Festival for Schools about the 1917 Russian Revolution.